I’ve been mildly obsessed with the Fall/Winter 2013 fashion week coverage that has been all over the internet lately. Being as vintage-minded as I am, I couldn’t help but notice a ton of mid-century fashion inspiration this season. From the drowned Hitchcock-heroines at Prada, to the Grace Kelly-classic at Calvin Klein, there was a ton of 1950’s revival going on.
And it makes sense! The 1950’s silhouettes are incredibly classic- ladylike, feminine, and typically flattering. The defined waist, flared skirt, and modest lengths of the 1950’s showed up again and again during fashion week. Where modern designers made things interesting was in regards to the fabric; alligator, leather, texture, and metallics all helped liven up these classic, “New Look” silhouettes. Below, a few of my favorites.
Filed under 2013, Fashion
Bodysnatchers, couture, & the suburbs
Ah, the 1950’s: an era of suburban sprawl, festering social unrest, the threat of nuclear war, and a new guard of fashion icons. To me, the 1950’s represents the best and worst of American culture and fashion in particular. While at once characterized by a need to suburbanize, conform, and forget the violence and tragedy of the 1940’s, the 1950’s also provided the seeds to the inspiring changes that would occur in the next decade, both socially and culturally. Often viewed as a decade of prosperity, many American families in the 1950’s enjoyed newly affordable luxuries: a family car, modern kitchen appliances, television sets. The traditional, nuclear family was heavily emphasized, and was promoted by the entertainment of the day. Television shows and films reinforced traditional women’s roles, displaying the role of wife and mother as the only priority in a woman’s life. Finding a husband, settling down to a newly built home in the suburbs, and raising two charming mini-citizens (also known as children) was the goal here.
Meanwhile, across the pond, European culture was revitalized after the slow recovery from war. Fashion-wise, this meant the best and the brightest were allowed the freedom to be as creative as they wished without the restrictions of war-time rations. The greatest fashion designer of the era (just an opinion, of course), Cristobal Balenciaga, flourished in this time, and reinvented what it meant to be fashionable. Christian Dior, whose “New Look” debuted in 1947, also pioneered new fashion trends, while houses like Chanel found inventive ways to change with the times and stay ahead of the competition. Keep reading for more on the strange dualistic nature of the 1950’s, the era of conformity and invention…